El perro de Goya, sin embargo, tiene una desolación en el rostro que no es la misma del músico de Doisneau, que más bien parece simpática resignación.
Ahí está, en todo caso, "Le violon de Monsieur Francisco".
Third painting of the series inspired by Robert Doisneau's photographies. This one in concrete is inspired in 1957 photo titled "D'eau majeure". It is not one of the most representative photographies of the brilliant French photographer, but I chose her because he resembled me, suddenly, the dog of Goya. Of there, the title of the painting. The dog of Goya, nevertheless, has a desolation in the face that is not the same of the musician of Doisneau, who rather looks like a nice resignation. Here is, anyway, "Le violon de Monsieur Francisco".